Shannon Plumb makes funny movies. Usually with her in the leading role. You call them ‘personal art films’. They are in the collection of The Museum of Modern Art as well as in Private Collections. Here is the interview I did with her in Prospect Park. (Planes flying over, baseball practice and wind competing with my sound!) Her work is very ‘low-fi’ so I decided to shot the interview in that style. I attended her screening at MOMA’s New Directors/New Films series and was very moved by her wonderful sense of the absurd in daily life expressed thru her very funny short personal films.
Originally posted at: vaudevisuals.com
I have enjoyed watching Christina Gelsone and Seth Bloom perform for many years. In fact, many of those times it was behind my camera documenting them either solo or together. I recently was so moved by their new show “Airplay” that I had to find out more about their work process and their lives. Here is my interview with Acrobuffos!
From Wikipedia:Carlo Mazzone-Clementi (12 December 1920 – 5 November 2000) was a performer and founder of two schools of Commedia, mime and physical theater as well as a contemporary and colleague of leaders of the modern European theater. From his arrival in the USA in 1957, he was largely responsible for the spreading of commedia dell’arte in North America. He first gained attention in Italy in 1947 alongside Marcel Marceau in the mime’s first tour outside of Paris. From 1948 to 1951, he assisted Jacques Lecoq, while Lecoq taught and directed the Players of Padua University. In 1954, Mazzone-Clementi was at Piccolo Teatro di Milano with Dario Fo and Franca Rame. Click here for more information from their post about Carlo.
I have to admit I don’t remember when I met Carlo but it was before 1983. That was the year I convinced him to visit my studio to do some photographs. He was playful and not too prepared. He came with a couple of great Commedia masks and found objects in the studio to improvise with for the camera. It was great fun! I have decided to make this tribute since many movement-based performers don’t know about Carlo. I contacted a few friends that knew him well ask them to contribute to this post. They knew him better and have stories to tell!
Here is an interview with his friend Hovey Burgess
This interview was originally recorded in Sept 2011 for Vaudevisuals.com.
I first met David Cale in 1982 performing at the Westbeth Theater Center’s Monday night show. He has gone into creating a diverse career for himself by writing and performing, singing and directing. I wanted to ask him about his work and what he is doing at this time in his life. Here is the video interview as he answers those questions.
“David Cale…is a spellbinder. Fascinating as he is to watch, and exquisite as his verbal imagery can be, it is Cale’s gifts as a storyteller that hold an audience rapt.” Steven Winn/San Francisco Chronicle
Even though the play ‘Critical Mass’ has been performed at Dixon Place this timely interview with playwright/performer Deb Margolin is really wonderful.
She touches on some insightful points about her work and history as a playwright and outsider. Interviewed by Vaudevisuals’ Karen Jenson.
Originally appeared at: http://vaudevisuals.com
Someone murdered Dr. Harvey Burdell on January 30th, 1857 in his New York City home on Bond Street. It was the most scandalous crime to occur in the city primarily because all evidence pointed at his rejected lover, a petite but conniving widower named Emma Cunningham. But the jury didn’t believe a woman could commit such a violent act. Officially, the case remains unsolved and has left restless ghosts behind to battle for eternity. Journey with us into another dimension on an immersive experience into the past. Our spirits now reside in a secret, 1833 parlor in the landmarked Colonnade Row where historic documents and actual witness testimony help to bring the truth to light.
Performances are at 8 PM on Fridays and Saturdays ~ March 2nd through March 24th. The audience is limited to 25 seats and ticket prices start at $30. The exact location will be provided upon purchase. For more details and tickets please visit bloodydeed1857.com.
Built in 1832-33, this historic row of landmarked townhouses were the first conspicuously extravagant homes in New York pre-Civil War. Inspired by palatial row houses in London and Paris as well as classic Greek architecture, the homes quickly sold out to New York’s most elite families. Astors, Delanos, Roosevelts, & Gardiners lived here as well as Washington Irving and other writers. The salon now presents historic lectures and is used as a development space for a variety of creative projects, both artistic & commercial. Special events also happen regularly and can be seen on Instagram and Facebook @colonnaderow