On a warm summer Sunday afternoon I spoke with Adrienne Truscott in her Brooklyn apartment and listened to her insightful commentary on her upcoming performance that she was preparing for. This show is coming up at Joe’s Pub in New York City. Hear what she has to say about this somewhat controversial show in the following interview!
“It’s so exhilarating to see the ugliness of rape discourse taken on, and bested, not with humourlessness or censoriousness, but with firecracker wit, sophistication, and luminous humanity.” – The Guardian
“Tammy Faye Starlite went all the way: impersonating Marianne Faithfull, rock musics fallen woman, with an uncanny accuracy. Her simulation of Ms. Faithfull’s vocal style and combustible blend of arrogance and scabrous sarcasm only begins to tell the story.”
Stephen Holden – New York Times
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“Now, as Marianne Faithfull, British pops queen of survival, Starlite resurrects 1979s Broken English as a thoroughly modern tale of adventure, abyss and hard-won vengeance one of the most brutally frank albums of its time, made flesh again, in poignant lethally honest character.”
David Fricke/Rolling Stone
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Following a month of sold-out performances in March of her portrayal of Marianne Faithfull, pegged to the 40th anniversary of the landmark Broken English album, Tammy Faye Starlite has announced a new production titled “Why’d Ya Do It?: Tammy Faye Starlite Performs Marianne Faithfull’s Broken English at Pangea” this fall. The show, directed by Michael Schiralli whose credits include Varla Jean Mermanand the Mushroom Heads, Scraping the Bottom: The Most Offensive Songs of Jackie Hoffman and Tammy Faye’s own acclaimed Nico Underground, launches Wednesday, September 25 and then plays every Thursday in October with the run concluding on Halloween. Two preview performances are set for Thursday, September 12 and September 19.
Tammy Faye originally performed Broken English at Lincoln Center and brought it to Joe’s Pub and The Metropolitan Room; later she performed Marianne Faithful: Exposed at Joes Pub and McCabes in Los Angeles. Thereafter, she took Cabaret Marianne on the road to Provincetown, Chicago and St. Louis.
Sarah the Bird Girl talks about her upcoming one-woman show at Coney Island USA. Based on the real life sideshow performer Koo Koo The Bird Girl, Sarah tells her story and performs her life out in this 1 hour show. Originally posted at: vaudevisuals.com
AFTERPARTY: The Rothko Studio is a site-specific, promenade performance in and around the former studio of legendary painter Mark Rothko. Built in 1884 for the YMCA as the Young Men’s Institute, 222 Bowery is best known for the many now-famous artists who lived, worked, and played in this landmarked gem. The building’s former gymnasium is where Rothko created the infamous “Seagram Murals” commissioned by The Four Seasons restaurant in 1957. AFTERPARTY explores this pivotal moment for downtown artists and offers a rare opportunity to visit this site.
June 13-28th, 2019. Theater at St. John’s in Greenwich Village.
(Originally produced in 1983 to rave reviews ‘One of the 10 Best Plays of the Year’. New York Times and Time Magazine)
The playing schedule for GALAS is as follows: Monday through Sunday evenings at 8pm, with official opening scheduled for Sunday, June 16th. There is an additional matinee performance on Sunday, June 16th at 3pm. There will be no performances on Tuesday, June 18th; Monday, June 24th; and Thursday, June 27th. Tickets are $25 and are available online HERE!
Commemorating the 50th Anniversary of the Stonewall Uprising and celebrating World Pride!
“My Sideshow Mammas”. Sideshow historian and publisher of “Shocked and Amazed – On & Off the Midway” James Taylor waxes poetic on the sideshow “freaks” (a tit;e both women wore proudly in the show biz), the women who were “Mom” to him: Jeanie Tomaini, billed in her day as “The World’s Only Living Half Girl,” and Pecilla Bejano, the famous “Monkey Girl.” www.shockedandamazed.com
‘now my hand is ready for my heart: intimate histories’ is the newest work from Nicky Paraiso, an award-winning 40-year veteran of the New York City performance community. In a deep exploration of an artist’s life, Paraiso investigates aging, identity, sexuality, class and race. Directed by MacArthur Fellow John Jesurun, this world premiere is a multi-disciplinary celebration of an artistic community as it grows older and continues to make work, both individually and with each other. Paraiso is joined by choreographer / dancers Irene Hultman, Jon Kinzel, Vicky Shick, and Paz Tanjuaquio in performance and as collaborators.‘